Weird Word Wednesday

Abscission

ab·scis·sion

noun \ab-ˈsi-zhən\

Definition of ABSCISSION

1

:  the act or process of cutting off : removal

2

:  the natural separation of flowers, fruit, or leaves from plants at a special separation layer

Origin of ABSCISSION

Middle English abscisioun, from Anglo-French abscission,Latin abscission-, abscissio, from abscindere

First Known Use: 15th century

 

Kelley Heckart, Historical fantasy romance author

Captivating...Sensual...Otherworldly

http://www.kelleyheckart.com

http://kelleysrealm.blogspot.com/

http://twitter.com/CelticChick

http://www.facebook.com/pages/Kelley-Heckart/111838455604

Why I don’t like to have teenage girl heroines in my stories

I can say this because I was one—a teenage girl. They are borderline psycho, overly dramatic and make terrible decisions. This is why I don’t like to have teenage girls as heroines in my novels and why I probably won’t write YA.

I couldn’t write a teenage girl heroine without rolling my eyes and wanting to kill her off. A heroine is supposed to be liked by readers. Now maybe if the heroine grew up in a different environment from the spoiled kind of life most teenagers have in the U.S., she might make a good heroine. I’m thinking of Katnis from Hunger Games. She grew up in a dangerous environment where survival was more important than the latest fashion. She had to be levelheaded in order to make sure she survived and to take care of her family.

I wonder if it’s the role models teenagers have that makes most of them so stupid. Especially today with reality shows like the Kardashians and pop stars that flaunt their bodies and their dramatic love lives. And it’s even worse with Facebook and Twitter where people try to out do each other and post every little thought and deed.

Growing up I didn’t have the Internet to tempt me into doing stupid things, but I still did them. I don’t know if it’s just a part of growing up and learning life’s lessons or if I was just rebellious. I’m sure not all teenage girls act crazy like I did, but those memories are stuck in my head and whenever I try to write about teenage heroine, I can’t get past how stupid I was.

 

Kelley Heckart, Historical fantasy romance author

Captivating...Sensual...Otherworldly

http://www.kelleyheckart.com

http://kelleysrealm.blogspot.com/

http://twitter.com/CelticChick

http://www.facebook.com/pages/Kelley-Heckart/111838455604

The power of an emotional scene

Emotional scenes can add special moments that resonate with readers, drawing the readers further into the story. Emotional scenes are especially effective in romance novels where emotions are a huge part of the plot.

Before using an emotional scene to grab the audience, it’s best to make the audience care about the characters first. Otherwise, an emotional scene can fall flat. It’s also important to time the emotional scene correctly. Some scenes don’t have the same power to move an audience if the scene happens at the wrong time in the story.

For example, I saw the latest Star Trek movie, Into the Darkness. I loved the first one with the young cast and how the timeline was altered. I thought this was a great way to write some new storylines. Into the Darkness altered the first meeting with Khan, the genetically engineered human that became an enemy of Captain Kirk in the original TV

show and movies. I thought this was okay until the scene where the young Captain Kirk dies the same way Spock died in Star Trek II, The Wrath of Khan. When Spock died in The Wrath of Khan, it was a very emotional, powerful scene between Captain Kirk and Spock, two characters that had known each other and had been close friends for about forty years. But when the young Kirk dies in Into the Darkness, the scene didn’t have the same emotional power because these younger characters hardly knew each other and didn’t really like each other. The characters didn’t have time to grow into the close friends they became later. The scene made me uncomfortable because I felt it was forced on the audience.

An emotional scene can do a lot for a story, but it shouldn’t be rushed or forced.

 

Kelley Heckart, Historical fantasy romance author

Captivating...Sensual...Otherworldly

http://www.kelleyheckart.com

http://kelleysrealm.blogspot.com/

http://twitter.com/CelticChick

http://www.facebook.com/pages/Kelley-Heckart/111838455604

Using weather in a story

Ominous. This was the first word that came to mind when I saw these thunderheads gathering in the distance from my backyard. I had to take a picture of the scene with tiny houses being overshadowed by the enormous storm clouds.

This sight made me think of how I use weather in some of my stories, of how the storm clouds looming on the horizon are a metaphor for impending danger.

In my Arthurian romance, White Rose of Avalon, a gentle rainstorm reminds Lancelot how the rain cleanses the earth and washes away the bloodstains on the battlefield. In Beltaine’s Song, a thunderstorm creates different scenarios for the main characters. While seeking shelter from the storm, they encounter people they wouldn’t normally be caught hanging out with. For one character this unlikely encounter leads to his downfall. And in my soon-to-be released Daughter of Night, a sudden thunderstorm sends the heroine into the stables and she comes face to face with the hero. What happens in the stables is a key turning point in the story for them. 

Weather can create different types of scenes. A gentle rainstorm can be soothing, even romantic, while a vicious storm with heavy rain and wind can create tension. Weather can be a useful tool to add an extra ingredient to the story.

I’m working on a story right now and considering a scene where, in the aftermath of a rainstorm, the river crossing rises. This river is the only way the hero can get back to the heroine who is in danger. One of the challenges I have with this hero is that due to a curse, he is immortal. I have to create dangers for him that don’t involve dying. He wouldn’t die trying to cross the raging water, but he could be swept away and pushed even further from the heroine. This type of scene also adds some tension to my story.

As with any writing tool, using weather to enhance a scene should move the story forward in some way or work with character motivations or conflicts.

Kelley Heckart, Historical fantasy romance author
Captivating...Sensual...Otherworldly
http://www.kelleyheckart.com
http://kelleysrealm.blogspot.com/
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604

Writing difficult scenes

Being a writer means I can make up stories and the fates of my characters are in my hands, but it also means writing those scenes that are hard the write. I’m talking about the scenes that go against my own beliefs or the scenes that make me squeamish. As a writer, I have to put aside my own feelings and do what is right for the story and the characters.

This is different for each writer. For me it’s difficult to write scenes that involve an animal death. I hate to see animals die. I won’t even watch a movie if I know an animal will die. But sometimes these types of scenes are important to the plot. That still doesn’t make them any easier to write. I would never kill an animal or even a person for no reason. The plot has to be moved forward in some way by the death.

I’ve had to write a couple of these scenes. In one book, a dog’s death brought the hero and heroine closer. In another soon-to-be released book, the animal death was symbolic and also true to the time period in regards to sacrifices made to the gods. This scene was really difficult to write and I almost deleted it, but then decided I had to stay true to the time period and to the story. It was a necessary scene. My editor agreed. This type of scene may upset some readers, but that’s a chance I had to take.
Writing that difficult scene isn’t always easy to do, but a writer needs to put aside his or her own feelings and stay true to the story. After all, it’s our job as writers to move the story forward, not to write what we want or to coddle the reader. Sometimes those difficult to write, heartbreaking scenes are the ones that resonate most with readers.

Kelley Heckart, Historical fantasy romance author
Captivating...Sensual...Otherworldly
http://www.kelleyheckart.com
http://kelleysrealm.blogspot.com/ Check out my long hair hotties!
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604
A Greek vampire, Celtic kings, vengeful goddesses, an ancient faery curse…

All three books of my Dark Goddess trilogy are available in Print and Ebook. Set in Dark Age Scotland, I mixed history with a Samhain/Beltaine myth that revolves around an Irish clan and the goddesses Brigit and Cailleach.
http://kelleyheckart.com/BookShelf.html

The Writer’s Curse

This is something that continues to confound me and I know I’m not the only one. What I’m talking about is not being able to ‘see’ my own mistakes in my writing. Even after rounds of self-editing, I still miss some things like dangling modifiers or those pesky body parts that insist on taking action. Or the ‘ing’ words that keep popping up despite my best efforts to tame them. This became more apparent to me while working on edits for a manuscript that was contracted four years ago and is about to be published. Eek. I’d like to think that my self-editing skills have improved in that time, and they have, but it was a real eye-opener and made me appreciate my editor so much more.

The really weird part for me is that I can easily spot these things and other editing fixes in other writer’s work, but I’m blind to them in my own writing. This is what I call the writer’s curse. It’s possible that over time we writers can train our eyes to better spot errors, but I think that it is always best to have someone else take a look at our writing. This is why it’s important to have a critique partner and if you self-publish, an editor.

One thing is for sure. As long as writers are plagued by this curse—editors will never be without work.

Kelley Heckart, Historical fantasy romance author
Captivating...Sensual...Otherworldly
http://www.kelleyheckart.com
http://kelleysrealm.blogspot.com/ Check out my long hair hotties!
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604

A Greek vampire, Celtic kings, vengeful goddesses, an ancient faery curse…
All three books of my Dark Goddess trilogy are available in Print and Ebook. Set in dark age Scotland, I mixed history with a Samhain/Beltaine myth that revolves around an Irish clan and the goddesses Brigit and Cailleach.
http://kelleyheckart.com/BookShelf.html

Book lengths—short or long?

I grew up reading books that were long—at least 500 pages. Stephen King’s books were double that length. I loved to make my book last at least a week or more. Finishing a book in a day or two disappointed me because the experience of that fictional world had ended. But that was then and things have changed.

With the rise of ebooks, I’ve noticed that readers prefer shorter novels or short stories to the long novels I grew up reading. I don’t think this is only because of ebooks, but also because of the competition for time with other forms of media like numerous television programs, video games and social media sites. I’m an avid reader and find it difficult to make time to read.

This has me thinking about my future book projects. I’m working on a new book and I’m trying to decide if I should keep it at about 60,000 words or keep going to 100,000 words. If I keep the story as a short novel, then it probably won’t be released in print due to the shorter length. I have to decide if I’m satisfied with having the story only in ebook formats. I also need to decide if the story is complete at 60,000 words without sacrificing the story quality just so I can keep it short. Staying true to my story is always my main goal.

With that being said, I would still like to know if readers like longer novels or is this the era of the short novel?

Kelley Heckart, Historical fantasy romance author
Captivating...Sensual...Otherworldly
http://www.kelleyheckart.com
http://kelleysrealm.blogspot.com/ Check out my long hair hotties!
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604

A Greek vampire, Celtic kings, vengeful goddesses, an ancient faery curse…
All three books of my Dark Goddess trilogy are available in Print and Ebook. Set in dark age Scotland, I mixed history with a Samhain/Beltaine myth that revolves around an Irish clan and the goddesses Brigit and Cailleach.
http://kelleyheckart.com/BookShelf.html

Writing fiction—don’t forget the Goal, Motivation and Conflict

The GMC or Goal, Motivation and Conflict are the most important ingredients in storytelling and somehow I started a story and forgot all about the GMC. I had my basic idea and characters, but when I started working on the story, I forgot to pin down the three main points. It didn’t take me long to realize that my story had no where to go because my characters had no specific desires or wanted to gain anything and nothing was holding them back. No GMC = no story.

First, the goal is the one thing the main characters want. The goal needs to be something that they want so badly they will do anything to get to that goal. The goal should be important enough for characters to act against.
The motivation is why the characters want what they want—the drive and back-story. Anything is possible for a character as long as the writer explains why to give the reader enough motivation to give the story credibility. The writer needs to know their characters well so that the actions stay in character and are justified and clear to readers. When a character wants something bad enough, the reader will too.
The last piece is conflict—why the characters can’t get what they want, the trouble, tension and roadblocks that are preventing the characters from achieving their goals. Conflict drives the plot and motivates the characters. There are two types of conflict—external and internal. External conflict can be a person, an intolerable situation or an act of God. Internal conflict is inner struggles within the characters.
I find it helpful to have character charts for my main characters. Here is an example of a character chart that I use to help me get to know my characters so I can define their goals, motivation and conflict:
Character Name:
Sun Sign:
Race:
Age:
Height:
Hair Color:
Eye Color:
Skin Color:
Weapons:
Religion or Beliefs:
Dilemma:
Goal:
Motivation:
Conflict:
His secret:
What would destroy him:
What would help him survive and be better:
Bad Trait:
Good Trait:

Happy Writing!

Kelley Heckart

'Timeless tales of romance, conflict & magic'
http://www.kelleyheckart.com
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604

Three different women, one ancient curse…
http://kelleyheckart.com/winters_requiem.html

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In Fiction: What Happened to Lengthy Descriptions?

I remember reading thick, five hundred page novels filled with lengthy descriptions that transported the reader to another time or place. The descriptions created the right atmosphere to forget about everything else except the story. I would be enthralled by an exotic location, or glass blowing in ancient Crete and even the art of blacksmithing. Cool stuff, those descriptions. But they seem to be passé in the writing world.
Lately, I have noticed that stories are filled with lots of action and short sentences that move the story along, but leave me feeling jolted, as if I just got off a wild, but short roller coaster ride.

I wonder if this has to do with our society today and how everything moves at such a fast speed. Maybe people just want the meat of the story and the action, but want to pass on all the descriptions because they don’t have time to read a long novel. Another thought I had was that with the rise of ebooks, it seems that ebook readers prefer to read shorter, action-packed stories. In today’s fiction, is there room for lengthy descriptions?
While reading a fast-paced story might appeal to some readers, I still prefer the lengthy descriptions. I want to get lost in a story for an hour or two a day for a couple of weeks, not for only thirty minutes a day for two days. I want to languish in the story and reflect on the characters, not feel like I barely met the characters.
I hope there are still readers and authors that enjoy a longer, descriptive story. I can’t think of anything that’s better for calming a hurried mind except getting lost for a while in a good book.

Kelley Heckart

'Timeless tales of romance, conflict & magic'
http://www.kelleyheckart.com
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604

Technorati Tags: kelley heckart,fiction,lengthy descriptions,long novels,writing articles,modern fiction

Writing a Virgin Heroine

I’m trying something different for my latest novel—a virgin heroine. This is a bit challenging for me because all of my heroines so far have been sexually experienced women. This has me a little nervous about this book.
I want to avoid mistakes in creating this kind of character. One thing I want to make sure I do right is writing a realistic scene when she loses her virginity. This is a huge pet peeve of mine. Too many times I’ve read books with virgin heroines and that didn’t seem realistic to me because the characters experience the perfect first time sex. Seriously? Not one bit of awkwardness? Or pain? I know what I’m talking about here. Most sexual encounters are imperfect, but for sure the very first time a woman has sex is painful.
I realize that romance books are supposed to be a fantasy for women—the guy is a total hunk and the sex is so hot. And that’s okay with me, but how about putting some reality into at least one sex scene, especially if the heroine is losing her virginity.
And just because she’s a virgin, it doesn’t mean that the character has to be completely innocent and stupid. That’s stereotypical to me. The character I am working on has been trained to wed a king, an enemy king, so she is well versed in the workings of court and her role as a queen. She’s intelligent and strong-willed. But when it comes to love, she is inexperienced—unsure of her feelings and easily charmed by the wrong man. I think most women remember being fooled by a guy at some time in the past because of inexperience.
Who knows, the virgin heroine may end up being my favorite character to create. At the very least I will get to revisit my own past as I recall what it was like being a virgin—if I can remember that far back.

Kelley Heckart

'Timeless tales of romance, conflict & magic'

http://www.kelleyheckart.com
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604

Technorati Tags: kelley heckart,writing tips,virgin heroines,writing romances

Stepping into the Action

One of the hardest parts of writing a book for me is the beginning. I have to remind myself of this writing rule: ‘never start your story at the beginning.’

Huh?

Exactly what I thought at first.

Then I gave it some thought. How a writer starts the story is really important. A story that starts too slow might lose readers.

Gone are the days when a writer can start a story with pretty prose and no action, and be able to lull readers into the story. Modern stories have to begin with action or at a significant part of the story.

As I was writing a new book I thought about this writing rule, and ended up cutting the first three chapters. Since I already know that beginnings are my weakest point, I took a hard look at this latest WIP and decided it needed to start with more action. The great thing about writing today on a computer is I can always go back and add the three chapters if I want to, but I doubt I will. If I thought the beginning was too slow then readers will certainly think it is slow.

Writing a good story is about making hard choices. A writer needs to be able to step away from the story and take an unbiased look at their work. This isn’t easy to do. I had a hard time with deciding to make changes to the beginning after slaving over the first three chapters. In the end though I decided the changes were necessary to improve the story.

So, get out there and write your heart out, but don’t be afraid to take scissors or that delete button to that beginning.

Happy writing and reading!

Note: In addition to my long hair hotties feature on the 1st of each month, I will also be posting on the 15th of each month about writing tips or life experiences.

Kelley Heckart

'Timeless tales of romance, conflict & magic'

http://www.kelleyheckart.com

http://twitter.com/CelticChick

http://www.facebook.com/pages/Kelley-Heckart/111838455604

For some, spring’s song is the sound of a harsh battle horn, for others, new love, for all—certain danger.

My book page at Awe-Struck

http://www.king-cart.com/Awe-Struck/category=Kelley+Heckart/exact_match=exact

Technorati Tags: writing tips,kelley heckart,romance novels,ebooks,editing,story beginnings,starting with action

Making Revisions

I have been busy revising a manuscript so I can re-submit it to a publisher. I don’t want to mention the publisher’s name because I don’t want to jinx it. I am sure every writer has encountered this at least once--an editor loves your story, but...some revisions are requested before they will accept it. Drat! You don't have to do them, but how bad do you want to to be published? Another publisher might accept it the way it is so that is the choice that needs to be made. I chose to make the revisions or at least give it a try.

Revising a manuscript is never fun, but by taking it one step at a time, it can be done pretty easily. The first thing I did was read through the ms again (on paper) to refresh my memory with the story (since I had already moved on to other writing projects) and I made notes where I could make changes requested by the editor. Then I inserted the changes into the computer and now I am re-reading it on the computer and making adjustments as I go along. After I do this, I will read the ms again on paper. It is better to print out the ms and read it that way then on the computer. If I have to make more adjustments, I will note that on the paper copy. It sounds like a lot of work (it is) but it needs to be done right. I don’t want to re-submit work that isn’t the best I can do. I may have to read the ms a few more times before the ms feels right.

Patience and tenacity are qualities that a writer needs to have. I am still working on the patience part.

Being a published writer can be boring and unglamorous. The big reward for all the hard work comes when the ms is accepted and published in a book format. That's when I can breathe a sigh of relief, rest (not!) and get to work on my next writing project.