About Me

My photo
Writing means different things to me. I'm a storyteller, a book editor, and a songwriter. For me, it's like breathing.
Showing posts with label romance books. Show all posts
Showing posts with label romance books. Show all posts

Thursday, November 06, 2014

Award-winning author Regina Andrews visits today

Regina’s new book is an inspirational romance called The Perfect Proposal.

Award-winning author Regina Andrews, a resident of Providence, Rhode Island, grew up in the seaside village of Barrington, about 20 miles South of Providence. After graduating from Providence College she earned her degree in American Civilization from Brown University. The author of numerous works including romantic fiction, plays, essays and articles, Regina is currently working on The Sterling Lakes Series. Regina is involved in numerous community organizations, and is a radio host for In-Sight, an association for the visually impaired. Her hobbies include travel, museums, theater, reading, chorale singing and gardening. She and her husband share their home with a semi-feral cat named Queen Tiana, whom they rescued from a shelter.

Welcome back to my blog, Regina. What is your new book about?

Thank you so much for inviting me to visit, Kelley. I am delighted to be here. This book is very exciting to me, as it is a re-issue that I am looking forward to having people enjoy.

THE PERFECT PROPOSAL centers on Lindsay Richardson, a quiet elementary school teacher, whose world is turned upside down when she becomes the assistant to Dean Singleton Copley, one of the nation’s most dynamic business leaders in the high-powered corporate world. Lindsay’s father recently died unexpectedly and the school where she was teaching could not allow her time off to take care of her mother, who has Alzheimer’s. Thanks to a chance encounter with one of her father’s friends, businessman Mr. Copley Sr., she is offered a position at his company. When she arrives at work, she discovers she will be working with Dean Jr., the dynamo – not the kindly elder Mr. Copley who knew her father.

This time in her life is a test of her faith, her courage, and her strength. Her questions extend to not knowing what the Lord expects from her regarding her new boss, a dashing bachelor so different from her on the surface. Lindsay begins to see that Dean is scarred from situations in his past. Only faith gives Lindsay the strength to deal with the many challenges of her new position, all her personal crises, and the turmoil in her family life.

ThePerfectProposalcover[5] (1)

Where did you get your inspiration for this novel?

Actually I read an article about a situation like this on the Wedding page of our Sunday paper many years ago. The two met at work and lived happily ever after!

I love “happily ever after” stories. What kind of research did you do for this book?

It was crucial to understand Alzheimer’s disease. There were many questions I had to research, and facts I had to verify. Such as, for example, the matter of a patient wandering away from the house, which is a scene in the book, or the phenomenon of “sundowning”, which also occurs. I tried very hard to treat the entire subject of Alzheimer’s disease and its ripple effect with the utmost respect and dignity. Additionally, I had to research a bit about the various social clubs at Brown University, which involved several enjoyable visits to the University’s facilities.

Did you put real experiences from your research in this story?

At one point I served as a member of the Senior Citizens Governing Board in Rhode Island, and much of my experience from this appointed position could be applied to the subject matter of this book.  The “research” in this case was my actual life experience.

Wow! To use your own experiences is fantastic. You love to write Inspirational Romances. What intrigues you most about writing these love stories?

To me, the most exciting aspect of Inspirational romance, Linda, is that unlike a traditional romance with two main characters - the hero and the heroine, an Inspirational romance actually has three main characters – the hero, the heroine and God. That dynamic creates a fluid, vibrant paradigm that propels the story along without my having to construct it, because it is not just the hero and heroine’s thoughts or the way they relate to each other that propels the plot along. Rather, it is the hero and heroine’s relationship with God in addition to their relationship to each other directly impacts the storyline. And since it is a romance and we can be assured of a positive outcome, the path towards that evolves very naturally in my stories. It is guided by human foibles, triumphs and actions -- all held within the loving heart of God.

ReginaA

To learn more about this author, visit her website at http://www.reginaandrews.com. You’ll find all her books at this site.

Monday, June 23, 2014

Monday Musings: Writing fiction--Can there ever be too much action?

I’ve been pondering this lately after agonizing over my own stories, rewriting and deciding what kind of scenes I want in my books. And after hearing different opinions about writing and adding more action, I started thinking about what I like in a book. I like to write the kind of books I like to read, so it makes sense to me to look deeper into how much action I like in a book.

Action can improve the pacing, but too much action can also overshadow the growing relationships in a story, especially in a romance novel where the relationship is very important. I like those interactive scenes between characters, witty dialogue and moments pondering those raging emotions. I realize some readers and editors like the pacing to move quickly, but others like slower moments in a story as long as these scenes still move the story forward.

I’ve read books with more action than interaction between the two main characters, and I didn’t feel like I was able to know the characters, to feel what they were feeling. Too much action gave the book a fast pace, but I was left disappointed, like I missed something. I think maybe I like character driven novels and that’s what I like to write, too. Pacing is important in a story. You don’t want to bore the reader, but you don’t want to set the pacing so high, you leave the reader wondering what happened. I like to think of pacing in a book like a roller coaster. You have your wild turns and gut clenching drops, but you also have those moments where the roller coast just glides along the rails.

Kelley Heckart, Historical fantasy romance author

Captivating...Sensual...Otherworldly

http://www.kelleyheckart.com

http://kelleysrealm.blogspot.com/

http://twitter.com/CelticChick

http://www.facebook.com/pages/Kelley-Heckart/111838455604

Monday, May 05, 2014

Musing Mondays: Excerpt from Daughter of Night, Greek myths, fantasy, PG

Excerpt from Daughter of Night:

She waited, cloaked in shadows, until nightfall when the king and his queen slept.

As soon as darkness fell and the palace rang with silence, she emerged from the shadows. A round central hearth fire glowed with warmth, pulsing and flickering across the shadowed room, performing an ancient dance along the floors and painted walls. The king lay in his bed, the fierce warlord looking so vulnerable as he lay sleeping without his armor or weapons. His queen slept next to him instead of in her own quarters in a sign of her devotion. Sighing, she tried to remember what it was like to feel love.

She crept close to his bed, staring down at his sleeping face. Even in sleep, he looked like the mighty warlord that struck fear in his enemies' hearts. His brow wrinkled as if he wrestled with a nightmare. Perhaps he fought a nightmare of the battlefield, which usually struck the minds of warriors. Pressing her hand to his hot forehead, she rid his dreams of nightmares and entered his dreams with promises of victory and power. Removing her hand, she backed away, becoming one with the shadows again.

The king stirred, moaning in his sleep as the nightmares returned.

His queen woke from his stirring and brushed his hair from his forehead. “My love, would that I could remove your nightmares with a gentle stroke,” she whispered.

Watching the tender exchange with a wistful heart, she wondered what to do with the Dactyl’s essence.Which body will I choose to hide it in?


Blurb for Daughter of Night:

Their destiny began in ancient Anatolia.

Becuille is a Daughter of Night and a servant to the Great Goddess, created to wield Her vengeance. Callileon is a prince of the Hatti, who may be the one she was sent to punish.

When love finds them, they are cursed by the gods and surrounded by tragedy, which even the Fates are powerless to change.

Can two mortals fight the will of the gods?

Daughter of Night is available in Print, Kindle, Nook and other ebook formats.

Buy links: http://kelleyheckart.com/daughter_of_night.html

Daughter_of_Night

 

Kelley Heckart, Historical fantasy romance author

Captivating...Sensual...Otherworldly

http://www.kelleyheckart.com

http://kelleysrealm.blogspot.com/

http://twitter.com/CelticChick

http://www.facebook.com/pages/Kelley-Heckart/111838455604

Monday, April 21, 2014

Musing Mondays: Aphrodite, not the average villain

As the Greek love goddess, most people don’t think of Aphrodite as a villain. That’s why I chose her for my villain in Daughter of Night. She’s actually a much more complicated, powerful goddess then the classical Greek writers would have us think.
The silly, vain Aphrodite that appears in stories written by the classical Greek writers is not a true rendering of this once Great Goddess that was revered on Cyprus. She is comparable to Innana, Hathor, Anat and Ishtar, a love and war goddess. As a fertility goddess, she is a goddess that can give life or take it away. Love and war, life and death. Ancient fertility rites usually involved a human sacrifice, a young man. The tragic story of Adonis, the young shepherd she loved, is associated with the Isis/Osiris legend of Egypt in which the yearly king is sacrificed at the end of his reign.
When the followers of the Sky god (Zeus) invaded Greece, they diminished her status to one of Zeus’s children, but she was really a Titan. Another story of her birth is that she was born when Cronos castrated his father Uranus, but she was really a much older, much more powerful goddess.
I liken her to the Norse god Loki, a bit of a trickster. As my villain, she isn’t evil but she is unpredictable and that’s what makes her so dangerous. My favorite villains are those that aren’t clearly evil, that aren’t intentional about hurting anyone. And as a love and war goddess, Aphrodite fit that profile. In Daughter of Night, Aphrodite is masquerading as the Hittite/Hatti Sun goddess, Arinna. She is trying to find her place in the world again after Zeus and his brothers have taken control of the Heavens, their armies controlling most of Greece. Of course, by trying to gain back her power, she is causing trouble for the other Titans, and mortals.
****
Excerpt from Daughter of Night, historical fantasy romance, Rated PG
“Well, Prince Callileon,” Arinna said with a forced smile, “this is a pleasant surprise.”
He looked at her, grim-faced. “Do not placate me with false sincerity.”
“Perhaps it is time we made peace with one another. I am in a giving mood today.”
“I need a favor from you.” He fidgeted, obviously embarrassed at having to ask her for a favor.
“I am in a giving mood, but why would I grant you a favor?” She arched her brow, enjoying his discomfort.
The lion let out another gentle roar, settling his hungry gaze on Callileon.
Callileon looked at the lion, unblinking.
“You should never stare down a beast such as this. Fortunate for you I just fed him,” she laughed, her tone mocking.
“I am prepared to offer you something in exchange for the favor.”
“What could you possibly offer me? Look around, I am in need of nothing.” She gestured at her lavish quarters.
“It is not a question of need, but one of desire.” His blue eyes gleamed with cleverness.
No wonder Becuille was so enamored of this mortal, she thought with a hint of envy. He had special gifts. Not only was he handsome, but he also possessed bravery and intelligence.
From within his cloak, he pulled out a sheathed dagger. By the glittering stones on the bronze hilt, she already knew it to be a magical weapon. Unsheathing it, he held up the obsidian blade, smooth and gleaming with power. Her breath caught in her throat.
The lion let out a louder roar.
He raised a brow. “You know what this is, do you not?”
She tried to reach for the dagger, but he held it out of her reach. “First you help me get into the temple to see Inaras, then the dagger is yours.”
“You are a prince, you should be able to get into the temple on your own.” She could not take her eyes off the dagger, knowing its purpose to be to house Celmis's soul. With the special dagger in her possession, she could take him anywhere hidden in different bodies.
“No. Zagros will not allow any non-temple personnel to see her, even me.” Anger filled his eyes. “The king is concerned with other matters so I cannot appeal to him. I need to see her now and he cannot bar you entry to the temple. You are temple personnel.”
“Much to his dismay, that is true.” She wanted the dagger. “I will get you into the temple.” Her thoughts turned over, scheming and filled with mischief. She called for Briena. “Find a dress that will fit the prince.”
He gave her a questioning look.
“If you want into the temple, you will have to disguise yourself as a female,” she said, unable to hide her smirk.
“You are enjoying this too much I think.” He looked down at himself. “I doubt I will make a convincing female.”
“Oh, you would be surprised, my young prince,” she laughed.
Briena stuffed his muscled body into the largest dress she could find, placing two round apples over his chest for breasts. The slave girl stifled a laugh and Callileon stared hard at her. She put red ochre on his lips and cheeks and rimmed his eyes with kohl.
The young prince twitched beneath the sharp reed, drawing an amused smile from Arinna. The barbaric Achaean would not be familiar with the kohl reed.
“Do not move or you will lose your eye,” Briena said with caution, dipping the reed into the jar to gather more of the black powder to finish his eyes.
He moved his hand up toward his eyes.
“Do not touch your eyes,” Briena said.
“They burn,” he said, frowning.
“The feeling will go away.”
Arinna studied him with a critical eye. “Well, he is not the most graceful female I have seen, but he is quite comely.” She smiled with amusement.
Briena stifled a laugh behind her hand.
Glowering, he pulled on a hooded cloak, drawing the hood over his face.
****
Daughter_of_Night
Daughter of Night: Two mortals are caught up in the battle between the Titans and Olympian gods.
Buy links for Daughter of Night:
Mundania Press (in ebook formats and trade paperback):
http://www.mundania.com/book.php?title=Daughter+of+Night
Amazon Kindle: http://www.amazon.com/Daughter-Of-Night-ebook/dp/B008OCANEO/ref=sr_1_14?s=books&ie=UTF8&qid=1343182822&sr=1-14&keywords=kelley+heckart
Barnes & Noble Nook: http://www.barnesandnoble.com/w/daughter-of-night-kelley-heckart/1112220212?ean=2940015001952
Buy links on author website: http://kelleyheckart.com/daughter_of_night.html
Kelley Heckart, Historical fantasy romance author
Captivating...Sensual...Otherworldly
http://www.kelleyheckart.com
http://kelleysrealm.blogspot.com/
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604

Wednesday, February 15, 2012

Book lengths—short or long?

I grew up reading books that were long—at least 500 pages. Stephen King’s books were double that length. I loved to make my book last at least a week or more. Finishing a book in a day or two disappointed me because the experience of that fictional world had ended. But that was then and things have changed.

With the rise of ebooks, I’ve noticed that readers prefer shorter novels or short stories to the long novels I grew up reading. I don’t think this is only because of ebooks, but also because of the competition for time with other forms of media like numerous television programs, video games and social media sites. I’m an avid reader and find it difficult to make time to read.

This has me thinking about my future book projects. I’m working on a new book and I’m trying to decide if I should keep it at about 60,000 words or keep going to 100,000 words. If I keep the story as a short novel, then it probably won’t be released in print due to the shorter length. I have to decide if I’m satisfied with having the story only in ebook formats. I also need to decide if the story is complete at 60,000 words without sacrificing the story quality just so I can keep it short. Staying true to my story is always my main goal.

With that being said, I would still like to know if readers like longer novels or is this the era of the short novel?

Kelley Heckart, Historical fantasy romance author
Captivating...Sensual...Otherworldly
http://www.kelleyheckart.com
http://kelleysrealm.blogspot.com/ Check out my long hair hotties!
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604
AS_HeckartKelley_Cat's Curse_EB_Final_print coverAS_HeckartKelley_BeltainesSong_EB_FinalAS_HeckartKelley_WintersRequiem_EB_Final-245x378
A Greek vampire, Celtic kings, vengeful goddesses, an ancient faery curse…
All three books of my Dark Goddess trilogy are available in Print and Ebook. Set in dark age Scotland, I mixed history with a Samhain/Beltaine myth that revolves around an Irish clan and the goddesses Brigit and Cailleach.
http://kelleyheckart.com/BookShelf.html

Friday, January 13, 2012

Friday the 13th Blog Hop! Writing romance—Creating sexual tension

Keep reading until you get to the links to your next blog hop stop.

Most people like sexual tension, the sparks that fly when meeting that special person for the first time. For romance readers, sexual tension between the hero and heroine is necessary for an enjoyable reading experience.

As a romance writer, I have a duty to create sexual tension between my characters. It sounds easy enough, but writing those scenes can be tricky. How much is too much time to wait before the hero and heroine actually sleep together? Before erotic romance, this used to be easier to work with—usually they didn’t sleep together until almost toward the end of the book. Now a lot of romance readers expect sex to happen sooner and they want hotter sex scenes.
  
Another issue is moving the story along and having the two main characters start to fall in love much sooner than people normally would in real life. Unless, of course, you are Kim Kardashian. I had to throw that in. Dragging the story on to fit reality will bore the reader. Romance readers want romance and they don’t want to wait half the book to find it. 
So, what is a romance writer to do? It’s not rocket science—I go with my gut feeling and stay true to my characters and plot. If my characters are the type to jump into bed together, then I go for it. Sometimes it feels right to have them sleep together within the first few pages, but then pull them apart by having something get in the way of their relationship. I am working on one story with a virgin heroine. There are reasons why she can’t lose her virginity until the end of the book. To make up for it, I need to have that sexual tension and at least have them kiss to give the readers something to look forward to.
One of my favorite ways to show sexual tension is to have witty banter between the hero and heroine. I like to create heroines that have a sharp tongue. Gee, I wonder where I got that idea? My husband is familiar with my sharp tongue. Anger turns into passion and well, passion turns into love. It happens all the time, especially in romance novels. Ah, if it could only be as perfect in real life. We can only dream. And I can only do my best to create that sexual tension in my books that romance readers crave. 
************ 
Welcome to the Friday the 13th Blog Hop. For a chance to win a Kindle e-reader, please follow the links to all the author blogs to the end where you will fill out an official entry form.
I am giving away a PDF copy of Cat’s Curse, a historical fantasy romance. It’s the first book in my Dark Goddess trilogy.
Available in Print and Ebook
AS_HeckartKelley_Cat's Curse_EB_Final_print cover
http://kelleyheckart.com/cats_curse.html
Cat's Curse, Book One: Dark Goddess Trilogy, Celtic historical romance/fantasy
Enter Dark Age Scotland—a mysterious, dangerous & exciting place…
Blurb: Cardea is cursed to live an eternity as a blood drinker. Aedan mac Gabrain, prince of Dal Riata, trusts no one after suffering a curse that keeps him from touching any females. Can two tortured souls find love while battling a dark goddess determined to destroy them?

Good luck!

Here is your next blog hop stop             
Click on the link below or on the graphic:
www.harveyle.blogspot.com (Lauren Harvey)
BlogHopNextStopComputer

Please note: In case the link to the entry form doesn't work on the next blog, here it is:
Prize Entry Form: www.authorsrclaridge.com/bloghopprizeentry.htm
BlogHopKindleEntryForm


Kelley Heckart, Historical fantasy romance author

Captivating...Sensual...Otherworldly

Tuesday, November 15, 2011

Romance—Writing those dreaded sex scenes

I must be weird because I write romance, but I dread having to write sex scenes. I’m not a prude. The time I spent in an all girl hard rock band taught me more than I needed to know about, well, sexually related stuff and made it all seem so normal. I think what I dislike about writing sex scenes is I want to avoid making them too stiff (no, I didn’t mean this as a pun) or too laughable (as in purple prose). No matter what I end up writing in the sex scenes, I can’t read them without giggling.
So, what is the best way to write a sex scene? I try to bring the characters’ personalities into the bedroom scenes and sometimes humor. Real life sex isn’t always perfect so I want to add that bit of realism, but not too much realism that it will turn a romance reader off. The key to a good romance is to have some fantasy for the reader to enjoy because that’s why people read romances—to escape reality.

By revealing a character’s personality in a sex scene, a writer can show how a character would act or react. For example, a Pict king in my Dark Goddess trilogy is shown enjoying being bitten by my blood drinker heroine, which reveals his wild side. For some humor, I have an ongoing joke with my hero and heroine in my Dark Goddess trilogy—their enthusiasm in the bedchamber breaks many beds.
My biggest challenge is naming all those pesky body parts without sounding too graphic (who knew that cock was a vulgar term for a penis?) or too flowery (her ‘rose petals of love’ won’t do). I also have to keep my terms relevant to the time period I am writing so I can’t use modern slang.

I don’t want all of my sex scenes to sound the same either. Too much caressing, stroking, entwining, writhing and thrusting can get tedious. A change in scenery can help break up the monotony. Or some honey instead of whipped cream. That just gave me an idea. Maybe this isn’t as hard as I thought. All I needed to do was to experiment a bit. Smile

Kelley Heckart
'Timeless tales of romance, conflict & magic'
http://www.kelleyheckart.com
http://kelleysrealm.blogspot.com/ Check out my long hair hotties!
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604
AS_HeckartKelley_WintersRequiem_EB_Final-245x378
Three different women, one ancient curse…
http://kelleyheckart.com/winters_requiem.html

Sunday, May 15, 2011

In Fiction: What Happened to Lengthy Descriptions?

I remember reading thick, five hundred page novels filled with lengthy descriptions that transported the reader to another time or place. The descriptions created the right atmosphere to forget about everything else except the story. I would be enthralled by an exotic location, or glass blowing in ancient Crete and even the art of blacksmithing. Cool stuff, those descriptions. But they seem to be passé in the writing world.
Lately, I have noticed that stories are filled with lots of action and short sentences that move the story along, but leave me feeling jolted, as if I just got off a wild, but short roller coaster ride.

I wonder if this has to do with our society today and how everything moves at such a fast speed. Maybe people just want the meat of the story and the action, but want to pass on all the descriptions because they don’t have time to read a long novel. Another thought I had was that with the rise of ebooks, it seems that ebook readers prefer to read shorter, action-packed stories. In today’s fiction, is there room for lengthy descriptions?
While reading a fast-paced story might appeal to some readers, I still prefer the lengthy descriptions. I want to get lost in a story for an hour or two a day for a couple of weeks, not for only thirty minutes a day for two days. I want to languish in the story and reflect on the characters, not feel like I barely met the characters.
I hope there are still readers and authors that enjoy a longer, descriptive story. I can’t think of anything that’s better for calming a hurried mind except getting lost for a while in a good book.
Kelley Heckart
'Timeless tales of romance, conflict & magic'
http://www.kelleyheckart.com
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604

Tuesday, March 15, 2011

Writing a Virgin Heroine

I’m trying something different for my latest novel—a virgin heroine. This is a bit challenging for me because all of my heroines so far have been sexually experienced women. This has me a little nervous about this book.
I want to avoid mistakes in creating this kind of character. One thing I want to make sure I do right is writing a realistic scene when she loses her virginity. This is a huge pet peeve of mine. Too many times I’ve read books with virgin heroines and that didn’t seem realistic to me because the characters experience the perfect first time sex. Seriously? Not one bit of awkwardness? Or pain? I know what I’m talking about here. Most sexual encounters are imperfect, but for sure the very first time a woman has sex is painful.
I realize that romance books are supposed to be a fantasy for women—the guy is a total hunk and the sex is so hot. And that’s okay with me, but how about putting some reality into at least one sex scene, especially if the heroine is losing her virginity.
And just because she’s a virgin, it doesn’t mean that the character has to be completely innocent and stupid. That’s stereotypical to me. The character I am working on has been trained to wed a king, an enemy king, so she is well versed in the workings of court and her role as a queen. She’s intelligent and strong-willed. But when it comes to love, she is inexperienced—unsure of her feelings and easily charmed by the wrong man. I think most women remember being fooled by a guy at some time in the past because of inexperience.
Who knows, the virgin heroine may end up being my favorite character to create. At the very least I will get to revisit my own past as I recall what it was like being a virgin—if I can remember that far back.

Kelley Heckart
'Timeless tales of romance, conflict & magic'
BeltainesSong
http://www.kelleyheckart.com
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604

Tuesday, February 15, 2011

Stepping into the Action

One of the hardest parts of writing a book for me is the beginning. I have to remind myself of this writing rule: ‘never start your story at the beginning.’

Huh?

Exactly what I thought at first.

Then I gave it some thought. How a writer starts the story is really important. A story that starts too slow might lose readers.

Gone are the days when a writer can start a story with pretty prose and no action, and be able to lull readers into the story. Modern stories have to begin with action or at a significant part of the story.

As I was writing a new book I thought about this writing rule, and ended up cutting the first three chapters. Since I already know that beginnings are my weakest point, I took a hard look at this latest WIP and decided it needed to start with more action. The great thing about writing today on a computer is I can always go back and add the three chapters if I want to, but I doubt I will. If I thought the beginning was too slow then readers will certainly think it is slow.

Writing a good story is about making hard choices. A writer needs to be able to step away from the story and take an unbiased look at their work. This isn’t easy to do. I had a hard time with deciding to make changes to the beginning after slaving over the first three chapters. In the end though I decided the changes were necessary to improve the story.

So, get out there and write your heart out, but don’t be afraid to take scissors or that delete button to that beginning.

Happy writing and reading!

Note: In addition to my long hair hotties feature on the 1st of each month, I will also be posting on the 15th of each month about writing tips or life experiences.

Kelley Heckart

'Timeless tales of romance, conflict & magic'

http://www.kelleyheckart.com

http://twitter.com/CelticChick

http://www.facebook.com/pages/Kelley-Heckart/111838455604

For some, spring’s song is the sound of a harsh battle horn, for others, new love, for all—certain danger.

BeltainesSong

My book page at Awe-Struck

http://www.king-cart.com/Awe-Struck/category=Kelley+Heckart/exact_match=exact

Friday, September 26, 2008

Writing Meaningful Sex Scenes in Romances

One thing I have struggled with as a romance writer is trying to write sex scenes that have some significance and are not just thrown in to spice up the story. I like to keep my romantic scenes sensual and not graphic, preferring to leave something to the imagination. After all, a reader wants to use their imagination, right? This has proven to be a challenge because I do not want to write purple prose, but I have managed to avoid this by keeping a balance between the two and avoiding terms deemed too flowery.

Sex scenes like any other scenes should reveal something about the character. Is she shy, bold or somewhere in between? Does he prefer to have control or does he like it when she takes control? Humor is something I like to add to these scenes sometimes to show how characters will react. I recently wrote a sex scene where the bed broke. I think readers can identify with the characters more if reality steps in to the love scenes. It is not all perfection as in life it is not all perfection. By writing scenes where the hero and heroine are most vulnerable, it reveals something about their personality.

The way men and women think in the bedroom are different too. Ladies, how many times do we want our man to stay awake after the coupling only to have him role over and start snoring? Or, what about the man feeling frustration because he still cannot figure out how to please his lady? The time period a story is set in also makes a difference in how characters will act, but I think the above scenarios have been happening in bedrooms for centuries.

It has taken me some practice, but when I write sex scenes between my hero and heroine, I think about each character and pull pieces of their personalities into the scenes. Well-written romantic scenes can reveal a lot about a character and add to the story.

Kelley
http://www.kelleyheckart.com
http://www.myspace.com/phantomqueen3

Friday, May 09, 2008

Contest on Kelley's Enchanted Grove


Hi all,

In honor of the recent Freya's Bower release of In the Gloaming: An Anthology of Faerie Stories, I thought I would do something different for entering this contest. To enter the contest to win a coaster set featuring the faery art of Amy Brown, all you have to do is read this short excerpt (posted below)from my short story, The Enchanted Meadow, and tell me the color of the warrior's eyes by joining by Yahoo Group at
http://groups.yahoo.com/group/kelleyheckarts_enchantedgrove/message/62
and putting the answer in the message box. The contest runs to the end of May.
Good Luck!

Kelley
http://www.kelleyheckart.com/
http://www.myspace.com/phantomqueen3

Excerpt from The Enchanted Meadow:
She studied him, admiring the confident way he commanded his men even as he faced the unknown. He stood regal and powerful, the blue warrior marks he earned shadowing the austere planes of his handsome face. Long, golden-copper streaked hair plunged down his back in a wild tangle. She yearned to run her hands through his thick mane again.

As if reading her thoughts, he glanced back at her tree, his bright blue eyes darkening to a deeper hue in the shifting light, his face softening from its usual hardness. When he looked in her direction, he let slip his true feelings he hid from his warriors. Her heart sang with compassion for him.

She felt herself blush at his penetrating gaze. His eyes awakened that feeling of familiarity in her again, but she still could not place it. If she escaped her prison, she could go to him now.

Frowning, she thought how she hated the tree that felt like a tomb. The world beyond the tree taunted her with its bright autumn colors, a world so full of life and freedom. She could not bear to look upon it any longer.

To help her bide her time, she thought about their coupling. Her body flushed at the memory. She recalled how wonderful his muscles had felt beneath her touch and the way he had kissed her, caressing her secret places with his skillful tongue, making her moan and quake. A twinge of desire flickered inside her at the thought of having him touch her again tonight.

When they discovered another missing cow, they would have to stay. At least she hoped so. She continued to hide some of their cattle to keep the warrior there so eventually he could help her escape.

At first, she only wanted to use him to help her escape, but now her body trembled with affection for the golden warrior. After he rekindled what had been dormant for so long inside of her, she began to yearn for him and his tender, passionate touch. Could she let him go? And if he should eat of the apples….
Purchase link for In the Gloaming: An Anthology of Faerie Stories:http://www.freyasbower.com/content/view/368/77/