Monday Musings: Writing fiction--Can there ever be too much action?

I’ve been pondering this lately after agonizing over my own stories, rewriting and deciding what kind of scenes I want in my books. And after hearing different opinions about writing and adding more action, I started thinking about what I like in a book. I like to write the kind of books I like to read, so it makes sense to me to look deeper into how much action I like in a book.

Action can improve the pacing, but too much action can also overshadow the growing relationships in a story, especially in a romance novel where the relationship is very important. I like those interactive scenes between characters, witty dialogue and moments pondering those raging emotions. I realize some readers and editors like the pacing to move quickly, but others like slower moments in a story as long as these scenes still move the story forward.

I’ve read books with more action than interaction between the two main characters, and I didn’t feel like I was able to know the characters, to feel what they were feeling. Too much action gave the book a fast pace, but I was left disappointed, like I missed something. I think maybe I like character driven novels and that’s what I like to write, too. Pacing is important in a story. You don’t want to bore the reader, but you don’t want to set the pacing so high, you leave the reader wondering what happened. I like to think of pacing in a book like a roller coaster. You have your wild turns and gut clenching drops, but you also have those moments where the roller coast just glides along the rails.

Kelley Heckart, Historical fantasy romance author

Captivating...Sensual...Otherworldly

http://www.kelleyheckart.com

http://kelleysrealm.blogspot.com/

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Writing meaningful sex scenes

Sex scenes are the most difficult scenes for me to write. Or, I should say, it’s difficult to write meaningful sex scenes. I dread when it comes times in a story to add a sex scene. Sure, it’s easy to say that he put his ‘you know what’ in her ‘you know where.’ But why even have a sex scene if that’s all you are going to write?

A better approach is to get inside the heads of your characters and make the sex scene about emotions rather than too many repetitive actions. Also, a little goes a long way in these intimate scenes. Some description is necessary to show and not tell, but too much description and you risk losing the reader. I’ve read some sex scenes where every little detail of the man’s do-hickie was described. Ick. I really didn’t need to read that. I would rather leave the details for the reader to imagine how they want to imagine them. What may turn on one reader turns another one way off.

So, it’s best to go easy on the details and focus more on the characters’ feelings and show their feelings through their actions in the bed. If the heroine is a virgin, is she scared or nervous? If the hero is used to dominating in the bedroom, how will he react if his partner takes charge? Are they tentative lovers or passionate? This is where really knowing your characters pays off.

Sample sex scene from Winter’s Requiem:

Domelch pulled out her long knife, drawing the cold metal against her naked skin. Her nipples rose, hardening in response to the coldness of the blade. Being so close to death made her toy with the idea of sliding the knife’s sharp edge against her skin and drawing some blood. Her body tingled with pleasure at the thought. She spread her legs wide, beckoning him with an enticing smile. Her hand stroked her own inner thigh, the sight of his naked, strapping body exciting her.

In the lamplight his wolf-like eyes flickered with mounting desire for her, his erection rising and thickening with the might to conquer her. “God’s teeth, lass,” he whispered, his voice raspy with longing.

Aedan pounced on the bed and the makeshift bed crashed under their forceful weight. He claimed her with his warrior’s strength, his muscular arms enfolding her in a passionate embrace. Caressing her with hungry kisses, he filled her with life again, the terrible memories of the battlefield fading away. Domelch’s body tingled with the urgency to have him overpower her, to chase her demons away.

She recalled instead a thrilling memory of how Aedan commanded his men with confidence and courage, wielding his sword, the Widowmaker, and sending the enemy to the Underworld like a mighty war god. Now he commanded her, his forceful spear plunging into her, drawing from her body and soul the wild throes of love. She forgot all about death, embracing the power of life and all the sensations of two people enjoined in coupling. After all these years, the power he wielded over her was great, her body quivering beneath him. His musky male scent quickened her heartbeat, their slick bodies entwined like greedy vines searching for warmth and sunlight. Fisting his long hair in a desperate attempt to cling to the edge, pleasure overpowered her, pulsating and lifting her in its blissful grasp.

http://www.kelleyheckart.com/winters_requiem.html

Kelley Heckart, Historical fantasy romance author

Captivating...Sensual...Otherworldly

http://www.kelleyheckart.com

http://kelleysrealm.blogspot.com/

http://twitter.com/CelticChick

http://www.facebook.com/pages/Kelley-Heckart/111838455604

Book lengths—short or long?

I grew up reading books that were long—at least 500 pages. Stephen King’s books were double that length. I loved to make my book last at least a week or more. Finishing a book in a day or two disappointed me because the experience of that fictional world had ended. But that was then and things have changed.

With the rise of ebooks, I’ve noticed that readers prefer shorter novels or short stories to the long novels I grew up reading. I don’t think this is only because of ebooks, but also because of the competition for time with other forms of media like numerous television programs, video games and social media sites. I’m an avid reader and find it difficult to make time to read.

This has me thinking about my future book projects. I’m working on a new book and I’m trying to decide if I should keep it at about 60,000 words or keep going to 100,000 words. If I keep the story as a short novel, then it probably won’t be released in print due to the shorter length. I have to decide if I’m satisfied with having the story only in ebook formats. I also need to decide if the story is complete at 60,000 words without sacrificing the story quality just so I can keep it short. Staying true to my story is always my main goal.

With that being said, I would still like to know if readers like longer novels or is this the era of the short novel?

Kelley Heckart, Historical fantasy romance author
Captivating...Sensual...Otherworldly
http://www.kelleyheckart.com
http://kelleysrealm.blogspot.com/ Check out my long hair hotties!
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604

A Greek vampire, Celtic kings, vengeful goddesses, an ancient faery curse…
All three books of my Dark Goddess trilogy are available in Print and Ebook. Set in dark age Scotland, I mixed history with a Samhain/Beltaine myth that revolves around an Irish clan and the goddesses Brigit and Cailleach.
http://kelleyheckart.com/BookShelf.html

Out of touch with modern times

A question I often ask myself is why do I prefer to write historical novels over contemporary ones? Most of the popular books are contemporary so I could probably make more money writing in modern settings. It also seems like it would be easier to write a story in a contemporary setting rather than having to research a historical time period. For most writers that’s probably true, but for me with the weird brain it seems more natural for me to write historical novels.

I can relate to certain time periods—from ancient to about the ninth century. I have a special fascination for Dark Age Scotland and Britain. I think it’s because that was a mysterious time in history. Most people think ‘Dark Age’ means that everything turned into chaos and that people were complete savages. Well, some of that may be true, but the true reason the term ‘Dark Age’ is used is because it was a time when nothing was put in writing or at least no written texts have been found during that time period.

Historians and scholars can speculate what happened and piece together some of the information through archaeology, but the truth is we don’t know what happened. That is a great opportunity for a writer to use his/her imagination.

For me it’s easier to research an earlier time period than it is to try and write a novel set in modern times with all the changing technology. All the technology confuses me for some reason. I can’t relate to texting all the time. I have the cheapest, text unfriendly cell phone and rarely send a text. In a romance novel the hero and heroine need to connect. To me that means that they need to actually talk to each other and spend time together. Modern technology pulls people apart, at least in my mind. What better way to connect to a lover than to sit by a fire and gaze into each other’s eyes?

I’ve come to the conclusion that my body is here in the modern world, but my brain is stuck back in time.

Kelley Heckart, Historical fantasy romance author
Captivating...Sensual...Otherworldly
http://www.kelleyheckart.com
http://kelleysrealm.blogspot.com/ Check out my long hair hotties!
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604

http://kelleyheckart.com/BookShelf.html

http://kelleyheckart.com/TheEnchantedMeadow.html

Romance—Writing those dreaded sex scenes

I must be weird because I write romance, but I dread having to write sex scenes. I’m not a prude. The time I spent in an all girl hard rock band taught me more than I needed to know about, well, sexually related stuff and made it all seem so normal. I think what I dislike about writing sex scenes is I want to avoid making them too stiff (no, I didn’t mean this as a pun) or too laughable (as in purple prose). No matter what I end up writing in the sex scenes, I can’t read them without giggling.
So, what is the best way to write a sex scene? I try to bring the characters’ personalities into the bedroom scenes and sometimes humor. Real life sex isn’t always perfect so I want to add that bit of realism, but not too much realism that it will turn a romance reader off. The key to a good romance is to have some fantasy for the reader to enjoy because that’s why people read romances—to escape reality.

By revealing a character’s personality in a sex scene, a writer can show how a character would act or react. For example, a Pict king in my Dark Goddess trilogy is shown enjoying being bitten by my blood drinker heroine, which reveals his wild side. For some humor, I have an ongoing joke with my hero and heroine in my Dark Goddess trilogy—their enthusiasm in the bedchamber breaks many beds.
My biggest challenge is naming all those pesky body parts without sounding too graphic (who knew that cock was a vulgar term for a penis?) or too flowery (her ‘rose petals of love’ won’t do). I also have to keep my terms relevant to the time period I am writing so I can’t use modern slang.

I don’t want all of my sex scenes to sound the same either. Too much caressing, stroking, entwining, writhing and thrusting can get tedious. A change in scenery can help break up the monotony. Or some honey instead of whipped cream. That just gave me an idea. Maybe this isn’t as hard as I thought. All I needed to do was to experiment a bit.

Kelley Heckart

'Timeless tales of romance, conflict & magic'
http://www.kelleyheckart.com
http://kelleysrealm.blogspot.com/ Check out my long hair hotties!
http://twitter.com/CelticChick
http://www.facebook.com/pages/Kelley-Heckart/111838455604

Three different women, one ancient curse…
http://kelleyheckart.com/winters_requiem.html